<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[projecthummingbird.jm]]></title><description><![CDATA[Project Hummingbird]]></description><link>https://www.projecthummingbirdja.com/blog</link><generator>RSS for Node</generator><lastBuildDate>Sat, 18 Apr 2026 12:30:33 GMT</lastBuildDate><atom:link href="https://www.projecthummingbirdja.com/blog-feed.xml" rel="self" type="application/rss+xml"/><item><title><![CDATA[Cultural Management Beyond the Canon: Decolonial Practice in Motion]]></title><description><![CDATA[As the global cultural sector increasingly confronts historical injustices, decolonisation has emerged as both a moral imperative and a managerial challenge. The Jamaican dance technique L'Antech shows how confronting colonial legacies can foster innovation and create inclusive cultural practices. Arts and cultural institutions in many countries are re-evaluating their practices, programming, and partnerships to address colonial legacies. In this context, diversifying programming was a main...]]></description><link>https://www.projecthummingbirdja.com/post/cultural-management-beyond-the-canon-decolonial-practice-in-motion</link><guid isPermaLink="false">69c875d1be72f39f1f5c1b10</guid><pubDate>Fri, 12 Dec 2025 00:55:15 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/edbc5c_f723b5a3444f4072a4f6eae69a9b6250~mv2.jpg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Adrian Wanliss</dc:creator></item><item><title><![CDATA[Decolonising Dance: Reclaiming Identity Through Movement]]></title><description><![CDATA[The art of dance has always been a vehicle for storytelling and cultural preservation, yet its narratives often reflect the histories and hierarchies of the societies that cultivate it. In the post-colonial world, particularly in regions like the Caribbean, dance has become a battleground for reclaiming identity and challenging entrenched Eurocentric norms. In Jamaica, colonialism's imprint is palpable in its dance heritage. Traditional forms such as Kumina, Jonkonnu, and Dinki Mini, rooted...]]></description><link>https://www.projecthummingbirdja.com/post/decolonising-dance-reclaiming-identity-through-movement</link><guid isPermaLink="false">69c87d3a4b5dfe0bfdb0f458</guid><pubDate>Mon, 31 Mar 2025 01:19:31 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/edbc5c_b7a6b6db3a5847baabfe209011b95d49~mv2.jpg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Adrian Wanliss</dc:creator></item></channel></rss>